I met first met Marissa at Unique Photo where I was presenting a seminar on studio lighting. She was 17 at the time, but she did a great job posing in front of 20 or so photographers who were present. By the time we shot this spread a couple of months later, Marissa had tunred 18. I think my model release was the first one she ever signed for herself.
My favorite city. I shot these images of Kimera Morrell on a rooftop in downtown Los Angeles. She’s an ex New Jersey resident whom I’ve shot several times in my studio.
We didn’t have permission to be here and our shoot took about 4 hours. During that period, not one person came up to use the roof nor did anyone come up to tell us to leave. Things would be different in NYC. Any location with cool backgrounds and great lighting would have dozens of photographers setting up camp daily.
All images were shot on the Leica M9 and Leica M240 cameras. The M9 is such a great camera, that it is still the first camera I reach for when the light is good. Using it is much like using the M240, even though the M240 is a more advanced camera. I give Leica a lot of credit for creating a camera like the M9 that is still worthwhile even when its superior successor is released.
I met Nikki at the NY Open, a Brazilian Jiu Jitsu tournament I was shooting for the IBJJF a few months ago. In the photo below, she is the one who is standing.
Despite the fact that she was trying to choke someone out when I met her, I knew she would be able to pull off a delicate beauty shot in my studio. I reached out to her a few weeks later and she told me that she had never done any sort of modeling at all. While I enjoy the expediency at which an agency model can complete a shoot, I also enjoy the experience of shooting an inexperienced model who doesn’t have any preconceived notions about what poses work for her and what poses don’t work.
I expected that she’s be a bit nervous coming into the shoot, but I knew the atmosphere in my studio -(non stop videos courtesy of Vevo on Apple TV), and the team I work with, would erase that pretty quickly.
The goal was to make her hair as large and busy as possible and still convey a feeling of sensuality even though we would only see part of her face. Needless to say, Nikki pulled it off.
Photographer: John Ricard @johnricard
Model: Nikki Mak IG@nikki_mak21
Nails: Shakinya IG@sohoxshakii
Hair and Makeup: Ashley Lee IG @Alstyling
Beauty Test Shoot with Ella and Kylie
The model in the first 2 images, Ella, wasn’t originally part of this shoot. She was only there as a friend of the stylist. When one of the agency models cancelled at the last minute, I drafted her into the shoot. She had never done a shoot before and was understandably nervous. I explained to her that she needs to accept the fact that she belongs here in front of my camera. Often you see a model’s comp card and decide to book her. When she arrives, she’s not what you expected and you’re only shooting her out of obligation. If someone drafts you for a shoot right there on the spot and you aren’t even a model, then you have to appreciate the reality that you do indeed belong there and you’re not being photographed out of some sense of obligation.
The second model, Kylie is from Wilhelmina (Miami). As you can see from the final image, she’s packed and ready to go South.
I’ve been trying to add a manicurist to all my tests lately. Nails have become a big thing over the past couple of years. Also trying to experiment a bit more with color. For the past year or so, I’ve done most of my studio work on white seamless. Channeling my inner Avedon, I suppose… But lately I’ve been going back to a little color in my lighting. Still can’t seem to make myself pull out a roll of pink or red or blue seamless from the closet though.
No makeup. No hair. No lights. Just natural beauty. #leica
Her name is Zulay Henao and she came to my studio to assist her brother Steven Escobar, a boxer who had booked me for a shoot. While I couldn’t help but notice that she was beautiful, what really struck me about her was how sweet her personality was. She thanked me several times for really putting 100% into the shoot and she was very complimentary about the actual images.
Although I’ve been shooting for decades, great photography isn’t something I can just guarantee to everyone. Photography is an art and by nature that makes it unpredictable. I can guarantee a technically great shot every time, but an artistically great shot? For that I need some magic to happen.
With that in mind, always nice when someone takes the time to acknowledge that magic is happening. Because Zulay had the type of personality where she didn’t feel it somehow lowers her to show appreciation to someone else, I really wanted to shoot her. And despite her having no makeup or hair on set, she allowed me to.
Thank you, Zulay.